| Comic Source |
Name and Image
|
Description
|

Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Agent X-13 |
|
Agent X-13 was a young woman masquerading as the aged
proprietress
of a curio shop. Behind the shop was the secret lab of the
super-soldier
project.
I'm adding the covers of the comic issue to the entry for the
story depicted on the cover. Sometimes, the cover shows a
symbolic, rather than an actual, scene from the story, as has happened
here. |
| Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| unnamed
Nazi spy |
|
This spy snuck into the secret lab as a high-ranking
government official.
He killed Prof. Reinstein but died while attempting to flee Captain
America. |
| Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Professor Reinstein |
|
Prof. Reinstein developed the super-soldier formula
America hoped to
use against the Nazi menace. He was assassinated before
making the
formula known. |
| Captain
America Comics
#1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Captain
America |
|
Steve Rogers was an Army reject who volunteered for the
super-soldier
project as an alternative way of serving his country, being injected
with
the only sample of the formula. When the formula sample
proved successful,
the U.S. government decided to outfit him as a symbol of America and
put
him to work as a special agent.
|
| Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Private Steve Rogers |
|
The newly muscular Steve Rogers was placed into Camp
Lehigh as a private,
where, apparently, high officials kept him free from military red tape
so
that he could act on his own when he saw the need. |
| Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Mascot
Bucky Barnes |
|
Camp mascot Bucky Barnes burst in on Steve Rogers as he
was changing
into his Captain America uniform. In those heady days of wanton child
endangerment,
Cap decided Bucky had to learn to fight by his side. |
| Captain
America Comics #1 (March 1941): "Case No. 1. --
Meet Captain
America" |
 |
| Bucky |
|
Apparently, no one ever associated Captain America's
sidekick Bucky
with the Bucky of Camp Lehigh, even though Cap operated around Lehigh
as
often as not. Chalk it up to those unnamed officials acting
as watchdogs. |
| Captain
America Comics #1 (March 1941): untitled #1 |
 |
 |
| Sando |
Omar |
|
Sando and Omar were the first Cap villains,
beyond the origin story. Sando
was a Nazi agent who hypnotized the idiotic and innocent Omar into
"predicting" acts
of sabotage shortly before they happened. |
| Captain
America Comics #1 (March 1941): untitled #1 |
 |
| F.B.I.
Agent Betty Ross |
|
Betty Ross was assigned to the Sando and Omar
case. She encountered
Cap frequently. In later issues, she was apparently dating Sgt. Duffy
and had
casual
contempt for the goldbricking Private Rogers. In still later ones, she
became Steve's friend. |
| Captain
America Comics #1 (March 1941): untitled #2 |
 |
| Rathcone |
|
Rathcone was a Nazi chess master, also adept at
manipulating people
like chess pieces and thus in charge of a spy ring. |
| Captain
America Comics #1 (March 1941): "The Riddle of
the Red Skull" |
 |
| The
Red Skull |
|
The Red Skull was a Nazi saboteur and assassin. He
became Captain America's
greatest foe, coming back every few issues. In his first
story, he
was unmasked as aircraft manufacturer George Maxon and died from his
own poisoned weapon. Apparently, as with the Joker, someone
recognized greatness,
and the artists resurrected the villain for later
use. |
Captain
America Comics #2 (April 1941): "The Ageless
Orientals Who
Wouldn't Die!" |
 |
 |
| Benson |
an
Ageless Oriental |
|
Benson was a banker who discovered the giant Ageless
Orientals in the
silent Himalayas. They were unable to be killed except by an explosive
sound louder than a gunshot. |

Captain
America Comics #2 (April 1941): "Trapped in the
Nazi Stronghold" |
 |

|
Adolph
Hitler
|
Hermann
Goering |
|
To rescue an influential patriot, Cap and Bucky go to
Germany, where,
in the course of beating up on generic Nazis, they also got to wallop
Adolph
Hitler and Hermann Goering. This is the fat Goering as portrayed in the
comic. I have no idea what he really looked like. |
| Captain
America Comics #2 (April 1941): "The Wax Statue
That Struck
Death" |
 |
| The
Wax Man |
|
The Wax Man was Mayor Dobbs, a fifth columnist who led a brigade of
US-based Nazi soldiers driving Super Tanks based in vast underground
bunkers
(it says here...). In his spare time, he murdered military commanders
either
by suffocating them in wax deathmasks of their own faces or by
kidnapping
and
decapitating them, keeping their heads in his wax museum. |
Captain America Comics
#3 (May 1941): "The Return of
the Red Skull" |
 |
| The
Red Skull |
|
The story opens with the Red Skull rising from where he
was left for dead, declaring himself immune to
his own poisons. This
would become a common event: Cap would believe the Skull
dead, but he'd return in a later story, sometimes with an explanation
as to how he did it.
Here, the revived Skull resumes terrorizing military men, invades a
baseball game with his Power Drill (a train-like vehicle with a
drilling nose), and takes time out to hang a couple of con men, who are
impersonating Cap and Bucky, because he mistook them for the real thing.
You'll
note the slightly different Red Skull micro-hero shown here, compared
to
the
one for his first appearance. As part of the learning
process, I've
decided to do a new Skull micro for each appearance, showing variations
in color and design, and often with a significant prop from the story. |
| Captain
America Comics #3 (May 1941): "The Hunchback of
Hollywood and
the Movie Murder" |
 |
| The Hunchback of
Hollywood |
|
This was a "Phantom of the Opera"/"Clayface I" type of
story. A movie
production was being sabotaged by a hunchbacked figure. The
Hunchback
of Hollywood was handsome actor Craig Talbot, a Nazi sympathizer who
opposed
the film's anti-tyranny message, and not horror actor "Barloff", who
played
the hunchback in the film. Quel
suprise! |
| Captain
America Comics #3 (May 1941): "The Queer Case
of the Murdering
Butterfly and the Ancient Mummies" |

|
 |
| The
Butterfly |
Lenny |
|
The Butterfly was Dr. Vitrioli, a museum curator who
was robbing his
own museum. (Why he picked a butterfly
as a
costumed identity is a mystery.
He wasn't stealing butterfly collections...) Lenny was Dr. V's
assistant,
"a human derrick", one guard called him. |
| Captain
America Comics #4 (June 1941): "The Unholy
Legion" |

|
   |
Herr
Snupp
|
The
Unholy Legion |
|
The Unholy Legion were a band of fifth columnists
masquerading as beggars,
street vendors, and general underclass types. Under the command of Herr
Snupp, the Beggar Leader, they killed important defense
figures and
cheated
sympathetic Americans who thought they were helping the truly poor and
crippled.
I give you Snupp, who branded both his own agents and
law enforcement
types (before killing them) with a swastika, and three unnamed
murderous
beggars: a strangler/news vendor, a cripple with a crutch gun, and a
"Poisoned
Apple Annie".
All in all, a rather disturbing class warfare concept,
especially so
close to the Great Depression.
|
| Captain
America Comics #4 (June 1941): "Ivan the
Terrible" |
 |
| Ivan
the Terrible |
|
Cap and Bucky face Ivan the Terrible, who deposed a
kingdom's rightful
ruler, the just King Peter Ross, and set himself up. After beating
Ivan, it
turns out... It Was All A Dream! |
| Captain
America Comics #4 (June 1941): "The Case of the
Fake Money
Fiends" |
 |
| The
Fake Money Fiends |
|
Counterfeiters operating in Hillsdale kept snoopers
away from the old
house that was their base by dressing as ghosts. Seems to me that would
have attracted more curiosity than chased it away, but, hey, I didn't
grow
up in those times.
Many early Cap stories were inspired by movies.
If anyone can
place the source that first had counterfeiters playing as ghosts, I'd
like
to know what it was.
(And they would have gotten away with it ...)
|
| Captain
America Comics #4 (June 1941): "The Case of the
Fake Money
Fiends" |
 |
| Sergeant
Michael Duffy |
|
While an unnamed sergeant gave Pvt. Rogers a hard time
as early as
the Rathcone story, the recurring character
with this name first
appeared in this
story. In the comics, the privates were often playing
practical
jokes on the sergeant, and the
innocent
Pvt. Rogers invariably was blamed for them, probably because Rogers
managed
to have a true accident involving Duffy every other issue.
In
later issues, Steve and/or Bucky actually did play tricks on Duffy,
and, still later, Duffy was treated with a bit more respect. |

Captain America
Comics
#4 (June 1941): "Horror Hospital" |
 |
 |
| Dr.
Grimm and Igan |
Gorro |
|
Dr. Grimm ran a remote private hospital where he kept
madmen among
his other patients and experimented on all. Igan, here, is one of the
doctor's
early experiments.
Dr. Grimm's main experiment was Gorro, a gigantic
humanoid monster whom
he kept alive with the blood of unwilling donors, usually nurses in
Grimm's
employ.
|

All-Winners Comics
#1 (Summer 1941): "The Case of the
Hollow Men" |
 |
 |
| The
Lord of Death |
The
Hollow Men |
|
The self-styled Lord of Death tricked Bowery bums into
his lab, where
he replaced their blood with his "di-namo fluid", which gave them
super-vitality
and immunity to death for 24 hours. (Presumably, after the 24
hours
were up, they did die.) He then sent them on destructive missions
against
US. military suppliers.
The bums were only referred to as "the Hollow Men" in
the title.
In the story, they were just "zombies".
Where Cap appears in these anthology titles, don't
expect
there to be any relation between the cover and the story.
|

Young
Allies Comics #1 (Summer 1941): "The Coming of
Agent Zero" |
 |
 |
| The
Red Skull |
Agent
Zero |
|
Bucky leads a local chapter of the Sentinels of Liberty
(Timely's Captain America fan club) to rescue Agent Zero, a British
agent, from Nazis. Toro, the Human Torch's kid sidekick, helps out, and
the kids form the Young Allies to help the agent. The Red
Skull
steps in, things escalate, and the Allies take a per-chapter whirlwind
tour of war venues (the Home Front, Berlin, the Russian Front, Hong
Kong, and back to the USA) with Agent Zero.
|
| Young
Allies Comics #1 (Summer 1941): "The Coming of
Agent Zero" |
 |
 |
| Human
Torch |
Human
Torch (flaming) |
|
At the last
minute,
Captain America and the Human Torch (apparently their first meeting in
the comics) step in and wrap things up.
|
| Young
Allies Comics #1 (Summer 1941): "The Coming of
Agent Zero" |
 |
 |
 |
 |
 |
| Toro |
Henry
"Tubby" Tinker |
Jeff
Sandervilt |
Aloysius
Percival "Knuckles" O'Toole |
"Whitewash"
Jones |
|
Plotwise, not a bad "kid gang" adventure. However, what
I
assume was
the publisher's goal of having the members represent all major
demographics of
their readership (the fat kid, the rich kid, the tough kid) results in
the inclusion of a Black stereotype: "Whitewash Jones, who can make a
harmonica talk." ("Yeah man! I is also good on de
watermelon!")
You have to give Timely credit for including a Black kid in their gang
(DC's Newsboy Legion and Boy Commandos, for example, did not.), but the
result is at least embarassing, and often offensive, to modern readers.
I wouldn't have expected to see a Young Allies
Masterworks any time soon, because of that, but one came
out in July 2009.
In case you weren't aware, Toro was the Human Torch's kid sidekick
(which is why one of his hands is aflame), and he and Bucky often had
fights in this series over which of the adult heroes were the best.
|

Captain America Comics #5 (August 1941): "The
Ringmaster of Death" |
 |
| The
Ringmaster of Death |
|
The Ringmaster was a Nazi agent whose wheel of chance
dictated the
night's assassination
victim. Other than controlling a circus full of Nazi performers, he had
no abilities. Looks a lot like the Hulk/Spidey Ringmaster, though,
doesn't
he? (Later Marvel stories made him the father of that Ringmaster.) |
| Captain
America Comics #5 (August 1941): "The Gruesome
Secret of the
Dragon of Death" |
 |
| Captain
Okada |
|
Captain Okada commanded a secret weapon of the Japanese
navy: the Sea
Dragon, a giant, ship-swallowing submarine.
Hey, it's Cap's first Japanese villain, and he isn't a racist
caricature! That's because Pearl Harbor hadn't happened yet.
Things got vicious immediately after that.
The Sea Dragon sub returned in a 1990's
Invaders story, and the idea itself was reused in another Cap story
later in the 1940s. |
| Captain
America Comics #5 (August 1941): "Killers of
the Bund" |
 |
| The
Bund |
|
The Bund was an actual pro-Nazi German- American
organization of the
WW2 period. Captain America and Bucky fought some Bund agents
who
were threatening loyal Americans Hendrich and Bob Shmidt. |
| Captain
America Comics #5 (August 1941): "The Terror
That Was Devil's
Island" |
 |
| Pepo
Laroc |
|
Pepo Laroc was the brutal overseer of Devil's Island,
the infamous
French prison camp. He was put in charge by the Vichy
government
after the Nazis conquered France, so that prisoners of war could
experience
his cruelty.
Like many Simon/Kirby stories of the '40s, this was
inspired by a movie, 1939's Devil's
Island. |
| Captain
America Comics #6 (September 1941): "The Camera
Fiend and His
Darts of Doom" |
 |
| The
Camera Fiend |
|
The Camera Fiend led a gang of crooks who were
attempting to steal
the British Crown Jewels, which were on tour in America. His
innocent- seeming
camera fired poisoned needles. He was actually Bucky's
teacher, Lucius
Hall.
|
| Captain
America Comics #6 (September 1941): "Meet the
Fang, Arch-Fiend
of the Orient" |
 |
| The
Fang |
|
The Fang was a Chinese warlord, ruler of a tong (a
criminal
Chinese secret society)
in America. The Japanese Baron Nushima hired his hatchet-men
to eliminate
two Chinese emissaries seeking a loan from the U.S. to help fight
Japanese
aggression in China.
While Fang never appeared again, in the 1960s Cap recalled his having
died at Hiroshima. I thought that was a nice touch.
|

Captain America Comics #6 (September 1941): "The
Strange Case of
Who Killed Doctor Vardoff?" |
 |
| The
Hangman |
|
The Hangman systematically eliminated anyone who stood
between him
and control of the super-strong silk invented by Dr. Vardoff -- and
there
was quite a list: Vardoff himself, his assistant Ludwig, businessman
Dino
Cardi, and a mobster's gun moll, all of whom felt the grip of his noose
of super-silk. Actually, the Hangman was Vardoff himself, who
wanted
nothing more than to be left alone to do his research. |

All-Winners Comics #2 (Fall 1941): "The Strange Case of
the Malay Idol" |
 |
 |
| Kuoli,
King of the Islands |
Malay
chieftain |
|
Steve Rogers, Bucky, and Col. Carter are stranded on an
island in the Malay peninsula when their plane goes down. The
pilot, Kurt Mueller, faked the crash in order to get secret documents
Carter carried. As Kuoli, King of the Islands, Mueller
commanded a
small army of Malay warriors. |
Captain
America Comics
#7 (October 1941): "Captain
America and the
Red Skull" |
 |
| The
Red Skull |
|
The Skull returns, whistling Chopin's Funeral March as
a
prelude to
his murders. That's the big gimmick for the story. Nicely
eerie, perhaps, for radio or film, but not especially effective on the
printed page.
By the way, the cover seems to have no relation to any of the stories
this issue, so I'm putting it with the first story. Expect the same for
future issues.
|
| Captain
America Comics #7 (October 1941): "Death Loads
the Bases" |
 |
| The
Black Toad |
|
The Black Toad was Chuck McArthur, manager of the
Badgers baseball
team. Using blowgun darts, he tried to make it appear as if
the team
was jinxed, so that he could buy it from its current owner at a bargain
price.
The Black Toad reappeared in a dream Cap had in issue #18, one of his
few villains (besides the Red Skull and Hitler) ever to appear more
than once in the 1940s. |
| Captain
America Comics #7 (October 1941): "Horror Plays
the Scales" |
 |
| The
Fiddler |
|
The Fiddler was a Nazi assassin who used his violin to
kill. First,
he had an assistant, acting as a servant, put a bomb-laden radio in his
victims' homes, which The Fiddler would detonate with certain notes
he'd
play during a public concert broadcast on the radio. He also could play
frequencies that the human system could not stand, but he accidentally
killed himself in one attempt, not knowing Cap and Bucky had stopped
their
ears. |

Captain America
Comics #8 (November 1941): "The Strange
Mystery of
the Ruby of the Nile and Its Heritage of Horror" |
 |
| Pharaoh
Ra the Avenger |
|
When Henry Sanders sold a supposedly cursed ruby from
an Egyptian tomb,
the ruby's new owners began dying at the hands of a seeming spirit of
Egyptian
vengeance. Cap exposed the fake Pharaoh as Sanders, who couldn't bear
to
see his treasure in the hands of others. |
| Captain
America Comics #8 (November 1941): "Murder
Stalks the Maneuvers" |
 |
| Pierre
Dumort |
|
Pierre Dumort posed as a Major from the Free French
forces and led
the soldiers of Camp Lehigh into a war game using live ammo. Cap
exposed
the deception and brought Dumort to justice. |
| Captain
America Comics #8 (November 1941): "Case of the
Black Witch" |
 |
| The
Black Witch |
|
The Black Witch tried to keep heiress Karin Lee from
her inheritance,
Hagmoor Castle (near Camp Lehigh!), by making it appear haunted. The
Witch
was revealed to be Feritt, the lawyer for the estate, who knew there
was
oil under the castle grounds. |
Captain America
Comics #9 (December 1941): "Captain
America and the
White Death" |
 |
| The
White Death |
|
This was another "kill the heirs" plot, but this time
lawyer Matthew
Clinton conspired with one of them, knife-throwing son-in-law Manuel
Perez, who masqueraded as the White Death,
to kill the others and then share the estate.
For some reason, the White Death was deemed memorable enough to appear
in an album issue of Captain
America
in the 1960s.
|
| Captain
America Comics #9 (December 1941): "Captain
America and the
Man Who Could Not Die--" |
 |
| Nick
Pinto |
|
Nick Pinto was sent to the electric chair but then was
arrested committing
crimes days later. He was sent to the chair again, after which Cap
discovered
a conspiracy with a prison doctor to fake Nick's death each time. (My
micro
is taken from the splash page image of Nick in the hardcover reprint;
in the body of the story, as in the entire original printing, he
appeared
as a normal human.)
This story was
probably inspired by
Lon Chaney Jr.'s Man Made Monster (Universal,
1941), but there
have been other "Man Who Wouldn't Die" stories which could have
influenced this, too.
|
Captain
America Comics
#9 (December 1941): "The Case of
the Black Talon" |
 |
| The
Black Talon |
|
The Black Talon was artist Pascal Horta, whose painting
hand was crushed in a car accident. A surgeon transplanted the hand of
Strangler Burns, a Black murderer who wanted to atone by donating his
body
to science, onto the artist. The artist then claimed "the corpuscles of
the
dead killer's hand invaded my blood-stream – slowly seizing control of
my brain", forcing him first to paint, and then to create, scenes of
death.
Inspired by the film The Hands of Orlac,
or more likely its later
remake with Peter Lorre, Mad Love (MGM, 1935),
neither of which
used the race
angle. Dunno who's to blame for that one.
|

All-Winners
Comics #3 (Winter 1941): "The Canvas of
Doom" |
 |
| The
Artist |
|
The Artist paints portraits of people killing
themselves,
using paint laced with an hypnotic drug, so that the viewer is forced
to act on the image.
This is one of the first Cap stories not drawn by the Simon/Kirby team.
Al Avison, inker on some earlier stories, apes
the
Simon/Kirby style in layout, if not the details of the art.
Story
is by "S.T. Anley", i.e., Stan Lee.
Hmm.
Two "fiendish artist" stories in a row -- three, if you count
the
Black Talon's return below. I wonder if this had anything to do
with Timely discovering that Simon and Kirby had been moonlighting at
DC... |

Young
Allies Comics #2 (Winter 1941): "Fate Spins an
Evil Web" |

|

|

|
| Black
Talon |
Baron
Boche |
The
Fish-Men |
|
Nazi agent Baron Boche offers the Black Talon control
over America if he'll aid the Nazi cause. Talon learns Bucky's Young
Allies team is helping a young woman find her
explorer father, and that the father has discovered an unknown island,
recently risen from the sea bed and inhabited by fish-men "natives".
The Black Talon is rather colorless here, compared to his original
appearance. Yes, he still has the grafted hand, but he's played as a
gang leader rather than a homicidal artist. (Perhaps the
corpuscles were better assimilated?) The Talon also later turned up in
a dream in #18, making him Cap's only three-timer from the
'40s. |
| Captain
America Comics #10 (January 1942): "Spy Ambush" |
 |
| Countess
Mara |
|
Countess Mara led a team of spies to steal a new
rapid-fire grenade
gun.
This may be the adventure Bucky later refers to, when riding a
motorcycle reminds him of it, as involving the "Satan
in Satin", as Cap and Bucky ride a motorcycle here and in no
intervening adventures I can find. |
Captain
America Comics
#10 (January 1942): "Hotel of
Horror" |
 |
| Netman |
|
The Netman, a fifth columnist, learned Cap was to be
honored by an
American city (Gotham City!) and, posing as Charley Boswell, the
Mayor's
secretary, led Cap into a hotel in that city filled with traps and
killers. |
| Captain
America Comics #10 (January 1942): "The Phantom
Hound of Cardiff
Moor" |
 |
| The
Hound |
|
The Hound was supposedly an ancient spectre, cursing
those who lived
in Cardiff Manor after the original owners were forced out. He was
really
Mr. Murdock, the last of the original owners, who, in conjunction with
a
phosphorus- painted mastiff, sought to reclaim the manor from recent
buyers.
Yeah, yeah, The Hound of the Baskervilles.
(20th Century- Fox, 1939, for a film version to serve as inspiration.)
Again, "Cardiff Moor"
was supposed to be somewhere near Camp Lehigh. This is the last
published Simon/Kirby Cap story.
|
| Captain
America Comics #11 (February 1942): "The Case
of the Squad
of Mystery" |

|

|
| The
Second Squad |
Herr
Grotz |
|
The Second Squad was performing rather well in the war
games. You might say they operated with German
precision. Cap found they'd been replaced by Herr Grotz's spies. |

Captain America Comics #11 (February 1942): "The Feud
Murders" |

|

|

|
| George
Brinner |
Uncle
Forrest Coger |
Colonel
Rand |
|
Two privates accused each other of stirring up an old
family feud. One was killed, and the other fled to his mountaineer
family
to
warn them. Cap, following, found a land speculator behind the
revived feud.
Obviously, this was based on the Hatfield-McCoy feud of the late 19th
century. |
| Captain
America Comics #11 (February 1942): "The
Symphony of Terror" |

|

|

|
| Mephisto |
Inspector
Gribbon |
Detective
Finnegan |
|
An opera company manager and a lead singer are
murdered in rapid succession. Suspicion falls on another of the
singers, but the man in the Mephisto costume turns out to be a jilted
lover of the female lead. A pair of bumbling detectives appear for
comic relief.
Another Phantom of the
Opera- inspired
story.
|

Captain America Comics #12 (March 1942): "The Terrible
Menace of the
Pygmies of Terror" |

|

|
| Doctor
Crime |
The
Pygmies of Terror |
|
The mysterious Dr. Crime stole and refined the
shrinking solution of the head-hunters of the Amazon. He sent shrunken
gangsters into homes to steal for him.
Dr. Crime is one of the few '40s Cap villains who returns in another
story. Also, this is the first Cap story which is 20 pages
long, compared to the 10-12 page stories of previous issues |
| Captain
America Comics #12 (March 1942): "The Case of
Rozzo the Rebel" |

|
| Rozzo
the Rebel |
|
President Alvaro, of the South American nation of
Oroco, visited America. Rozzo, an exiled revolutionary and his former
colleague, attacked him, to revenge himself for imagined wrongs.
Somehow, Rozzo had built a hidden underwater citadel, where
Alvaro was made prisoner. Steve Rogers was assigned as Alvaro's
bodyguard, so Cap must come to the rescue.
This is another 20-page
story. |

All-Winners
Comics #4 (Spring 1942): "The Sorcerer's
Sinister Secret" |
 |
| The
Sorcerer |
|
Mysto the Magician was really the Sorcerer, a Japanese
spy. During a show near an army base in the Pacific, he caused a
colonel to disappear, so that he could torture him into revealing base
defenses. Cap proved his supposed magic feats were actually
stage
illusions. |

Captain
America Comics #13 (April 1942): "The League of
the Unicorn" |

|

|
| King
Unicorn Zong |
The
League of the Unicorn |
|
For ages, members of The League of the Unicorn have
been the master criminals of Asia. They wear helmets with
steel
horns, used to gore their foes. Now they've come to America, to disrupt
friendship between China and America, by killing the visiting Prince
Tsaihoon.
Cap exposes King
Unicorn Zong as Hargraves, a railroad tycoon who saw a chance to make
a big profit in Asia and revived the moribund League to do so.
This is the first post-Pearl Harbor cover. Expect more of
this.
|
| Captain
America Comics #13 (April 1942): "The
Lighthouse of Horror" |

|
| The
Looter |
|
The
gang of the mysterious Looter is behind the sabotage at Last Chance
Lighthouse. But who is the Looter? Is he Lems, the
lighthouse keeper who hates strangers? Or is he the suave Mr.
Philips, whose shipboard romance with Betty Ross was interrupted when
their ship crashed at Last Chance Lighthouse?
If you think the Looter looks like an evil Popeye, so do I. Was it
intentional? Who can tell at this distance... |

Captain
America Comics #14 (May 1942): "The Horde of
the Vulture" |

|

|
| The
Vulture (I) |
Little
Moose |
|
Steve
Rogers's supply convoy, taking materiel to Fort Mojave in the American
southwest, is attacked by Native American renegades, led by The
Vulture. Though suspicion falls on his friend, Little Moose, Cap
suspects a Japanese plot and unmasks the Vulture as Hugh Bradley, a
local trader.
The story shows signs of a rushed last-minute
editing, changing what was originally "Black Hawk" into "Vulture" –
mostly.
Certainly the character looks more like a vulture than a
hawk,
but there could have been a few art changes, too.
|
| Captain
America Comics #14 (May 1942): "The Petals of
Doom" |
|
| The
Yellow Claw (I) |
|
No relation to Atlas's Fu Manchu imitation of the
1950s, this Yellow Claw is a European who sends poisoned flowers to
military officials. He does have a pair of claw-like yellow hands, but
no explanation for them is given. |

Young
Allies Comics #3 (Spring 1942): "The Coming of
the Khan" |
|
| The
Khan |
|
The Khan has been promised the rule of America, if he
can
successfully pull off an invasion of America. The Young Allies learn of
this and
follow him to Alaska, where they help the army thwart the invasion. |

Captain
America Comics #15 (June 1942): "The Tunnel of
Terror" |

|

|

|
| Fritz
Krone |
Moeller |
The
Tunnel Creatures |
|
Fifth
columnists under Herr Moeller's command attempt to spread fear and
despair in America. When Cap stops their usual efforts, Moeller's
superior, Fritz Krone, has disguised agents erupt from a new tunnel
under construction, pretending to be some sort of subterranean people
disturbed by the tunnel.
Actually, the tunnel will intercept Krone's secret
base if it
is not stopped.
|
| Captain
America Comics
#15 (June 1942): "The Invasion
from Mars" |

|

|
Gool,
Martian Warlord
|
Fake
Martian
|
|
10-foot-tall Martians are sighted around Camp Lehigh,
and
nearby Gotham City (again!) is threatened. Cap reveals the Martians to
be disguised Nazis, out to break American morale, but good old
Americans fight Martians as easily as they do Nazis.
Hmm.
Two stories about Nazi attempts to spread fear through
hoaxes, in the same
comic. I wonder why the editor wasn't paying attention...
|

All-Winners
Comics
#5 (Summer 1942): "The Vampire
Strikes!" |
 |
| The
Vampire |
|
Dr. Togu was "the world's greatest master of occult
medicine", who distilled
the secret of vampirism into a formula, which he drank. As
the Vampire,
he preyed on American Army officers, until Cap knocked him into
sunlight,
whereupon he reverted to human form and fell to his death. |
| Captain
America Comics
#16 (July 1942): "The Horror of
the Seas" |

|

|

|
| The
Hooded Horror |
The
Sea Monsters |
King
of the People of Lai-Son |
|
Captain America goes to Innsmouth!
Betty Ross is assigned to investigate disappearances near Valley Port.
She is captured by the Hooded Horror, leader of the cultists
of
the goddess Lai-Son, and taken to a temple beneath Satan's Reef to be
sacrificed.
Cap has followed her and learns the Hooded Horror is a Nazi agent who
wants Valley Port for a base. But the town was long ago taken over by
the people of Lai-Son and their sea monsters, so the Horror has been
impersonating their King. Cap frees the King, gets the story
of
the town, and blows up everything.
This is an unusual story, in several ways. First, the
monsters
are definitely the menace, but as soon
as Nazis are shown as involved, they become almost sympathetic. Next,
it's H. P. Lovecraft's "The Shadow over Innsmouth" all over again: the
harbor town
where
outsiders are unwelcome, a sinister bus ride, a cult, fish-men, a lair
under a reef. Finally, even acknowledging the source, it was
still, in the re-telling, a pretty creepy tale... until the explanation
of
how
the cult came to America: Vikings land on the island of Lai-Son (which
appears to be
in the Pacific) and intermarry with the cultists to steal their gold,
then leave – okay so far, if you accept either Vikings on the West
Coast or Polynesian-type islands in the Atlantic. After
centuries
of hunting, because Lai-Son demands they be
with their mates, the cultists find the descendants of the Vikings in
Valley Port, USA... and kill the people they've been searching for all
these years. Then,
instead of returning to their sunny island, they stay and build a new
home under
Satan's Reef.
|

Captain
America Comics
#16 (July 1942): "Red Skull's
Deadly Revenge!" |

|

|

|

|
| Archer
Red Skull |
Brute
Benson |
Duke
Shores |
Igor |
|
After breaking jail, the Red Skull masters archery,
then
gathers a
new gang around himself. They're bait to lure Cap, because he's certain
his arrows can pierce even Cap's shield. Bucky is hospitalized
and
Cap made a prisoner – and unmasked! Dressed as Cap (with giant red
teeth showing under the cowl), the Skull steals defense plans, ruining
Cap's reputation. But a healed Bucky tracks Cap down, and,
after
an arrows vs. shield showdown on the wings of a flying airplane, the
Skull falls to his seeming death. Cap leaves the plans with the body,
confident this will prove the Skull stole them....
By the way, note the Japanese flag the Skull wore on his chest instead
of his swastika at the beginning of this story. No reason
given
for it; it was just there for a while, and then the swastika was back.
|

Young
Allies Comics
#4 (Summer 1942): "The Most Amazing
Story of All
Time" |

|
| Farmer
Red Skull |
|
Showing amazing continuity between two titles, this
story says the Red Skull had a hidden parachute, so he floated
safely
down, changed clothes with a farmer he ambushed, and escaped.
I
liked the way he looked as a farmer, even though it only lasted a
couple of panels.
The rest of the story involves the Skull's plot to kill everyone in
Washington, D.C., with poison gas released by treated papers.
Knuckles is thought dead for a while, and Bucky and Toro have a boxing
match. The Skull falls off a cliff at the end, and everyone stands
around the body, so it looks like he couldn't possibly have escaped
death this time. Ahem.
|

Captain
America Comics
#17 (August 1942): "The Monster
from the Morgue" |

|

|
| Killer
Kole |
Dr.
Jason
Weirdler |
|
That popular stand-by, a gangster's brain in a
gorilla's body.
Cautionary
note to all scientists: do not announce your scientific breakthroughs
ahead of time. Dr. Thomas Austin, having successfuly revived
a
human corpse, plans to reanimate a gorilla. (Why the first resurrection
wasn't enough to satisfy anyone isn't explained.) Rival Dr.
Weirdler decides to embarass him by substituing the jarred (and
presumably pickled) brain of Killer Kole for that of the gorilla. He
apparently needn't have bothered, because the experiment is a failure,
and the gorilla is thoughtfully given a burial by "jeering
medical students" under a stone reading "Doctor Austin's Mistake". But
a lightning bolt, bypassing nearby trees and striking the grave,
completes the reanimation, and Killer Kole finds he can't help heading
for the circus to pick up his new mob. Kole starts killing the
judges who sentenced him to death, and Weirdler grows a conscience and
confesses all. Cap and Kole fight atop a fire ladder, and Kole falls to
his re-death.
Man, Frankenstein and King Kong and
any number of "Man Who
Wouldn't Die" revenge movies, all rolled into one! That's
Entertainment!
While he doesn't look much like a gorilla, this is a pretty faithful
rendition of Killer Kole as he appeared in the comic. |
| Captain
America Comics
#17 (August 1942):
"Sub-Earthmen's Revenge!" |

|

|

|
| The
Spook |
Queen
Medusa |
The
Sub-Earthmen |
|
When Nazi saboteurs attack Camp Lehigh, their
explosions
cause
turmoil in The World Below. Good Queen Medusa leads a troop
of
her Sub-Earthmen, riding giant worms, to the surface
to investigate, but
a
final shock seals the shaft behind them. Somehow, the "top-men" (us)
misunderstand the intentions of cavemen mounted on giant worms, and Cap
has to intervene to prevent a mutual massacre. But a Krimson
Klansman calling himself The Spook tells Medusa how she can have
revenge on the top-men. Cap has to stop the fatal misunderstandings
which ensue, and The Spook is revealed to be one of the saboteurs who
caused the whole thing. Pow, right in the kisser! (And, yes,
the Sub-Earthmen are still stranded at the end of the story.) |
| Captain
America Comics
#17 (August 1942): "Machine of
Doom!" |
|

|
| Prof.
Clement Mott |
Le
Bull |
|
Eminent scientist Mott thinks the war-torn world has
gone
mad, so
he goes mad, too, and plans to destroy the world with his Cosmic
Depressor (which apparently uses Cosmic rays to Depress the motion of
atoms, causing matter to drift apart). Vichy collaborationist Le Bull
wants North America to drift apart, but not necessarily anywhere else.
Cap wants to stop them both. He does.
Fort Lehigh is in Florida today.
|
| Captain
America Comics
#18 (September 1942): "Bowling
Alley of Death" |

|
| Gigo |
|
A new bowling alley in town attracts a lot of Camp
Lehigh
business,
but too many accidents, some fatal, happen there to the soldiers. Owner
Gigo is actually a Nazi saboteur. There's more to the story, about
Gigo's background in a Russian secret society, but it's all filler.
|
| Captain
America Comics
#18 (September 1942): "The Tomb
of Horror" |

|
 |
 |
| Prof.
Harold Wembley |
"The
Black Talon" |
"The
Black Toad" |
|
Steve Rogers, assigned to help an archaeologist in
Egypt,
dreams
of two former foes in the tomb.
That's all. It's a dream. Next!
|

Captain
America Comics
#18 (September 1942): "The
Mikado's Super Shell" |

|
| Paw |
|
Paw, "mad Japanese genius," has developed a massive gun
which
can
fire a shell across the Pacific. Cap invades Japan to destroy it. |

All-Winners
Comics
#6 (Fall 1942): "The Mock Mikado
Strikes!" |
|
Unknown
to the current Emperor of Japan, a fraternal twin brother was born
along with him. In order to keep the peace in the royal
family,
the brother was sent to Mexico and secretly raised by a trusted
agent. Now, this "Mock Mikado" is ready to raise an army of
his
own and invade America. And guess who's sent to stop him?
|

Young
Allies Comics
#5 (Fall 1942): "Horror In
Hollywood" |
|
The Owl, master of propaganda, is sent to Hollywood to
stop
production
of an anti-Nazi film.
It's something of a mystery why this character is called "The Owl",
other than his having a vaguely owlish appearance, until you realize he's a master
of disguise and there are captions saying "Who? Who? Who is The Owl?"
Hey!
Whitewash is doing something useful! On most other covers, he, Jeff,
and Tubby are all captives, leaving the heavy lifting to Bucky and
Toro, and maybe Knuckles with a machine gun. |

Captain
America Comics
#19 (October 1942): "The
Crocodile Strikes" |

|
| The Crocodile |
|
A family in a decaying bayou manse is menaced by a
giant
crocodile.
Cap soon learns The Crocodile is actually a human in disguise –
but who? One of the family? One of their servants? The
visiting professor? |
| Captain
America Comics
#19 (October 1942): "On to
Berlin" |

|
| Herr
Demon |
|
General Spenser is kidnapped and taken to Germany.
Steve
Rogers
fails
to volunteer for a rescue mission, and Bucky thinks
Steve's a coward, until he realizes Steve held back so that he could
accompany the mission as Captain America. Meanwhile, Hitler
calls
for his chief torturer, Herr Demon, to get needed info from the
general... |

Captain
America Comics
#20 (November 1942): "The Spawn
of the Witch
Queen" |

|
|
| Spawn
of the
Witch Queen | Barbec
|
|
A British expedition finds the mummy of a child in an
Egyptian tomb. Following the chanting of a spell, the restored mummy becomes
a
human child, which the expedition leader adopts. Years later,
Steve Rogers's unit, on assignment in Egypt, helps re-discover the tomb
and the remains of the earlier expedition. The child has
grown
into a man, the Spawn of the Witch Queen, and is trying to resurrect
his mummified mommy. Cap exposes his British liaison as the
one
behind the Spawn's mask.
Surely, partially inspired by Karloff's The Mummy
(Universal, 1932).
|
| Captain
America Comics
#20 (November 1942): "The Fiend
That Was the
Fakir" |

|
| The
Fakir |
|
The Japanese are arming hill tribes in India to oppose
the
British forces there. The Fakir leads those tribes.
|
| Captain
America Comics
#20 (November 1942): "The Case
of the Clammy
Things" |

|

|
| Doctor
Destiny |
The
Things |
|
Horrible "Things" emerge from the London Underground
(subway)
system and kidnap the Lord Mayor and others. Cap and Bucky follow
and find the base of Doctor Destiny, who thinks his destiny is to rule
London. The Things are mutated humans.
Dr. D. looks like an anime character, doesn't he?
|

Captain
America Comics
#21 (December 1942): "The
Creeper and the Three
Rubies of Doom" |

|
| The
Creeper |
|
To
stop an important treaty between the Allies and the country of Alslavia
from being signed, a Nazi agent called The Creeper has stolen the
rubies from King Dane's signet ring. Cap must recover them or
risk
insulting the king.
A
rather (ahem!) elaborate story around a simple (-minded) premise.
All the Creeper is missing is a farmer's daughter and a
railroad track... |
| Captain
America Comics
#21 (December 1942): "Satan and
the Sorcerer's
Secret" |
|
|
| Balthar
the Sorcerer |
Satan |
|
Would-be
sorcerer Mr. Balthar makes a pact with the devil and gains
death-dealing eyes. After beating him, Cap has to wrestle with the
Devil himself. No, really! |

USA Comics #6
(December 1942): "The Ghost's Gaze of
Death" |

|
| Medusa |
|
War plants are terrorized by a ghostly figure, the
fright
causing accidents in the plants, and those who come close enough die on
the spot. Prof. Anton Harvey believes it's the ancient Greek
Medusa (except this Medusa is obviously male). Cap believes it's a
trick. Medusa is really Harvey, who is also a Nazi agent, and his look
of death is a concealed dart gun.
|

All-Winners
Comics
#7 (Winter 1942): "Return of Doctor
Crime" |

|
|
| Doctor
Crime |
Von Eisner |
|
Doctor Crime, who has been allowed to wear his costume
in
prison, tells Nazi Von Eisner where to find the shrinking formula in
Dr. Crime's old house. Amazingly, Von Eisner doesn't steal the formula
but gives it to Dr. C, who escapes. Dr. C then kidnaps a general.
During the course of the story, both Bucky and Dr. C are shrunken and
have a fight, after which a hawk grabs tiny Dr. C for dinner.
|

Young
Allies Comics
#6 (Winter 1942): "School For
Sabotage" |
|
|
| Young
Allies Comics
#6 (Winter 1942): "The Comet of
Doom" |
|
|

Captain
America Comics
#22 (January 1943): "The Vault
of the Doomed" |
|
Congressman Barlow and his "anti- Nazi committee" are
making
things too hot for Mr. Schultz and the local Washington Nazis, so he
is invited to meet with "Dr. Eternity, Spiritual Guide" -- i.e.,
medium. The ghost of Barlow's brother predicts Barlow's
death.
Cap and Bucky are passing by and find a vault under the house, where
Eternity and his hunchbacked servant seal them in. They are rescued by
another client of Dr. E's and unmask the Doctor to reveal "one of
Hitler's star boys!"
It may be that Dr. E was originally intended to be Mr. Schultz under
the
mask. There isn't much resemblance, but it seems odd there'd
be
an unmasking scene in the story without someone under the mask we'd
recognize.
|
| Captain
America Comics
#22 (January 1943): "Captain
America Battles
the Reaper! (The Man the Law Couldn't Touch!)" |
 |
| The
Reaper |
|
The Reaper is a demogogue who applies Hitler's "Big
Lie" principle
to the subversion of the U.S. government, telling Americans "right is
wrong,
and wrong is right". Since he never openly espouses revolt,
he can't
be arrested. |
| Captain
America Comics
#22 (January 1943): "The Cobra
Ring of Death" |

| 
|
| The
Ring | Toto
|
|
Both Senator Ralph and General Lang have died
suddenly. Cap thinks the odd cobra ring both men wore had something
to do with
it. Bucky shows the ring in local curio shops and finds a
Bund
leader called The Ring, who captures him. Cap fights The
Ring's
giant servant, Toto, to learn Bucky's location, and The Ring is
accidentally killed by one of his own cobra rings: when the hand is
clenched into a fist, the head of the cobra injects strychnine into the
wearer. |

Captain
America Comics
#23 (February 1943): "The
Mystery of the One
Hundred Corpses" |

|
| Izan |
|
Cap and Bucky find almost a hundred corpses in a
flooded
quarry, but no one in nearby towns seems to be missing. Dr.
Izan
(even Bucky knows to spell it backwards) is replacing dying men with
Nazi agents and dumping the originals'
bodies in the quarry.
|
| Captain
America Comics
#23 (February 1943): "The Deadly
Snapper" |
|
The Turtle-Man has, for a year, been helping convicts
escape
from Louisiana chain-gangs into nearby Swamp Sinister. Now,
he's
ready to strike, at a Mardi Gras float using real jewels.
Both the previous issue's "comic attractions" and the story's title
refer to this character as The Snapper, but for some reason he's become
the much less awesome sounding "Turtle-Man" in the body of the story.
|
| Captain
America Comics #23
(February 1943): "The Idol
of Doom" |
|
Steve and Bucky see a woman and a Hindu disappear in a
ring
of fire in the middle of a lake. Later, the woman's body is
found. It's all part of a plot to gain wealthy women's estates.
|

USA Comics #7
(February 1943): "Case of the Flying
Submarine" |
|
|
The
Eraser
|
Fritz
the Fire Eater |
|
Circus
"rubber man" turned spy, the Eraser is out to steal the sole model of a
flying submarine. He doesn't do anything particularly circus-y in this
story -- no being double-jointed, no tricky escapes or break-ins. The
best he can do is to vow to Cap, after Cap's taken back the model and
knocked the Eraser into the sea, that, since rubber floats, he'll be
back. But he wasn't.
Similarly, Fritz doesn't eat any fire. He yells and shows a forked
tongue shaped like a flame, but that's it.
|

Kid Komics #1
(February 1943):
untitled haunted house story
|
|
There's no Young
Allies story in this issue, but Knuckles and Whitewash (and Jeff in a
cameo) appear in a haunted house story.
|

Captain
America Comics
#24 (March 1943): "The Vampire
Strikes!" |
|
Assigned to put a searchlight atop Vampire's Mountain,
Steve
and Bucky find the home of Count Varnis, and darned if the Count isn't
acting oddly...
|
| Captain
America Comics
#24 (March 1943): "Meet the Eel
of Horror Harbor" |
|
Investigating the mysterious sinkings of newly
completed
ships, Cap and Bucky find men in the employ of The Eel, treating the
ships to attact the Eel's giant octopus, which drags the ships under.
The Eel also has a pit of giant electric eels, which Cap uses to finish
off both the octopus and the Eel himself.
|

All-Winners
Comics
#8 (Spring 1943): untitled |
|
General MacArthur is coming to visit Steve Rogers's
unit,
currently stationed in New Guinea. Prince Kuhomai, a Japanese officer
whose father committed suicide after losing to MacArthur at Bataan,
plans to avenge his father's death by blowing up the camp during the
visit. Cap and Bucky are imprisoned with the explosives, get free and
sabotage them, then use them to cause Kuhomai to blow himself up.
|

Captain America
Comics
#25 (April 1943): "The Princess
of the Atom" |
|
Vacationing with friends, Steve Rogers learns Dianne
Ferrule
is actually a princess from a sub-atomic world, sent to Earth to escape
the evil Togaro. Using shrinking drugs, they go to the sub-atomic world
of Mita to fight
Togaro, who, in the meantime, has been sending his own men to Earth as
giants, looking for the princess.
Pulp author Ray Cummings adapted his own novel of the
same
name for this two-part Cap story.
Looks like this month's cover was intended for next month's Russia
story.
|
| Captain
America Comics
#25 (April 1943): "The Murdering
Mummy and the
Laughing Sphinx" |
|
A mummy has been murdering high government officials.
Cap and
Bucky find it and learn it is preparing the way for the return of the
demon Modebl. They also manage to grab a sphinx charm from its neck.
Egyptologist Prof. Jameson is eager to examine the charm, but it is Cap
who learns the charm contains a liquid which enables him to face
Modebl... or so it seems, since the liquid is an opium solution,
causing hallucinations. Jameson is really the Mummy, but it's not
his fault: he drank some of this liquid and became a kind of
lycanthrope, unaware of his changing each night into the Mummy.
|

Young
Allies Comics
#7 (April 1943): "Meet the
Ambassador of Death" |
|
|
| Young
Allies Comics
#7 (April 1943): "The Scratch of
Death" |
|
|

Captain America Comics #26 (May 1943): "The Princess of
the Atom, Part
II" |
|
In
Mita, Dianne is returned to her people, but Togaro has accompanied them
in miniature and rejoins his troops. They enlarge their own ship
so that it outweighs Mita and forces it out of orbit. Cap helps rescue
the tiny Mitans through Dianne's enlarged ship, takes them to a new
planet, then pursues Togaro, who now wants to conquer Earth. The
story ends with gigantic Cap and Togaro wrestling, until Togaro hits
his head on a mountain, dies, and shrinks to his own sub-atomic size.
Not only was "Princess of the Atom" a two-parter, they
were
two long parts, 25 pages each.
|
| Captain
America Comics
#26 (May 1943): " Captain America and the Russian
Hell-Hole" |
|
|
Nazi
commander
|
Col.
Nemeroff
|
|
Steve and Bucky, on a convoy going to Russia, are
separated
from the convoy when they stop a Nazi plane from strifing their
ship. In the captured plane, they make their way to Russia,
after
which they take a message from a dying Russian spy, escape a Nazi air
base hidden inside a glacier, fight wolves, and visit a Lapp village,
before finally thwarting a planned invasion of Murmansk, escaping from
chains in a sinking ship, and being feasted as heroes in the Kremlin.
There seems to be one of these "stop the invasion" stories about every
third issue on average, and I usually don't like them. But this one had
more coherence than most, with the Russian locale set pieces appearing
naturally. |

USA Comics #8 (May 1943): "Invasion of the Killer
Beasts" |
|
|
| Oberst
Von Steibel |
para-trooper
with
poisonous dogs
|
|
The story opens promisingly with a captured Nazi
para-trooper
telling how the accursed Captain America defeated their Nazi might, but
it heads downhill quickly. Oberst Von Steibel hand-picks 50 men but
fails to make
any use of their particular skills, putting para-troopers in with
infantry, for example.
He gives them an animal weapon – dogs with poisonous fangs
– and
immediately, with
no time to accustom the dogs to the men, ships them off to America on
a cramped sub, ensuring the travel time could not be used for training,
either. A mere
50 men were supposed to cripple the entire US Army, and even then, they
use
their deadly new canine weapon almost as an afterthought. They then
try to wipe out Camp Lehigh with a single truck with explosives – sent
to a dam, admittedly, but this was apparently something they had
planned in advance, and it had a single point of failure. Naturally, it
failed. Maybe the Oberst was really a double-agent, setting up
50 of
the
best Nazi
soldiers for sacrifice. Or maybe the story was thrown together
with no sense of a real plot. You decide.
|
| Captain America Comics
#27 (June
1943): "North of the
Border" |
|
Quebec City is the star of this tale, in which Baron
Von
Hartmann's capture of a Canadian general and his war plans is merely
the MacGuffin.
|

Captain
America Comics
#27 (June 1943): "Blitzkrieg to
Berlin" |
|
|
|
| Herr
Wolf |
Kapitan
Huntzel |
Pierre
Leroux |
|
Cap and Bucky stumble across a deserted house,
gimmicked with
traps, which is the base for Herr Wolf's spy ring. The spies capture
them and return with them to Berlin aboard Kapitan Huntzel's u-boat.
Hitler gloats, but they escape, after learning about the construction
of a giant u-boat which will carry soldiers to invade
America.
With the help of Pierre Leroux, a resistance fighter, they destroy the
sub.
This is the kind of sloppy "stop the invasion" story I don't like, as
it loses its focus (Wolf's information) halfway through and has to
invent a new one (the giant u-boat).
|

All-Winners
Comics
#9 (Summer 1943): "Case of the
Sinister Hun" |
|
The Baron, the sinister hun in question, is trying to
blow up
the locks of the Panama Canal with "aerial torpedos" – actually, small
drone planes with explosives.
|

Kid
Komics #2 (Summer 1943): "The Suicidal Saboteurs" |
|
|

Captain
America Comics
#28 (July 1943): "The Challenge
of the Mad Torso" |
|
Letters signed by "The Mad Torso" taunt Cap to stop the
kidnapping of a famous researcher. He does so and follows a
trail
to a Western mountain and a once-deserted monastery, now the home
of the Torso: a Nazi scientist whose bomb-wrecked arms and legs have
been replaced by mechanical ones.
|
| Captain
America Comics
#28 (July 1943): "The Vultures
of Violent Death" |
|
| The
Birdmen of Pa-Pi-Ru-Gua |
|
The Japanese military have convinced the inhabitants of
a
South
Pacific island
to allow a Japanese base there. Under their guidance,
warriors riding giant birds capture Cap, Bucky, and an Allied flight
crew, and Cap must face a series of trials to save them all from
execution. |

USA Comics #9 (July 1943): "Puppets of Death" |
|
Cap stumbles across a plot to eliminate Jameson, an
Allied
counter-spy. He trails Jameson to the Black Cat night club
where,
during a puppet performance, Jameson collapses and is later diagnosed
as having died of Dengue fever, which is so highly contagious that his
body must
be buried immediately, in a sealed casket, without being
embalmed. Hmm... Cap learns
that
the puppeteer, Varda, is using his show to infect targets with a drug
whose effects resemble Dengue but which instead puts them into
catalepsy, from which he later revives them to enslave them and use
their skills. Cap is set up as a human puppet but manages to kill Varda
with an arrow to the throat!
|

Young
Allies Comics
#8 (July 1943): "North Africa Ahoy" |
|
|
| Young
Allies Comics
#8 (July 1943): "Terror of the
Rising Sun" |
|
|

Captain
America Comics
#29 (August 1943): "The King of
the Dinosaurs!" |
|
|
Olaf
the Iguanadon
|
Prof.
Karl Schultz
|
|
This time, it's a human brain in a dinosaur's body.
Prof. Karl Schultz discovers a frozen, comatose "Iguanadon -- the King
of the Dinosaurs" in Antarctica and has it shipped to an American
museum. But he is a Nazi agent and former brain surgeon, and he kidnaps
his loyal aide Olaf, transplants his brain into the dinosaur, and
revives it. The confused Olaf wanders through the city and into
the countryside. Cap finds him and tells him how Schultz has tricked
him. Olaf kills Schultz and then himself, jumping off a cliff.
|
| Captain
America Comics
#29 (August 1943): "The Case of
the 'Phantom
Engineer'" |
|
While
awaiting a train to take him back to camp, Steve hears the legend of
the Ghost Train of Wreck Canyon. A skull-faced "phantom engineer" lays
claim to the railroad and the canyon, saying he'll wreck any train
going through it, then runs off. To make sure a train with important
military personnel gets through, Cap investigates the canyon, finds
radium-sheeted Nazi "ghosts" and a movie projector with a ghostly
train. The Phantom Engineer is Peter Blakeman, district manager for the
railroad and Nazi saboteur.
|
| Captain
America Comics
#29 (August 1943): "The Case of
the Headless
Monster" |
|
The
Headless Monster terrorizes small towns in the Ramapo area. Cap
investigates and finds the Monster too tough to beat, though it runs
off, anyway, and disappears. He does find Jonathan Torgson, a dwarfish
huge-headed freak, an apparent captive of the Monster. But the Monster
is really a mechanical shell for Torgson, who wanted revenge for being
tormented as a freak and who ultimately kills himself.
|

Captain
America Comics
#30 (September 1943): "The House
of the Laughing
Death" |
|
Four
people have died mysteriously in Carlin Sanatorium, victims of the
"Laughing Death". Cap finds plenty of dirty work in the
Sanatorium. Arthur Blaine has hired Dr. Carlin to kill an uncle
so that he can inherit. Carlin had been forced to murder by his
criminal brother, who is hiding in the Sanatorium. The Laughing
Death is pure oxygen, which overworks the heart and leaves no trace.
|
| Captain
America Comics
#30 (September 1943): "The Curse
of the 'Yellow
Scourge'" |
|
Tu-Ra-Bi-Ka
the Witch Doctor has convinced the formerly neutral natives of his
Pacific island home to side with the Japanese. Turns out the Japanese
have replaced Tu-Ra-Bi-Ka with an impostor. |
| Captain
America Comics
#30 (September 1943): "The
Saboteur of Death!" |
|
Cap
is assigned to make sure Nazi agent Von Broot does not interfere with
the Allies presence in Barabia. The story never really develops or goes
anywhere.
|

USA Comics #10 (September 1943): "The Cylinder of Death" |
|
Olga, a Russian spy posing as a dancer, warns Cap that
"the
Cylinder of Death must be destroyed!" Cap can't prevent Japanese
soldiers from smuggling the cylinder into California, but he does learn
its secret: it's filled with a miniaturized army (shrunken by a
ray projector stolen from the late Prof. Livingstone 6 months earlier),
which is being enlarged as he watches. There's an odd,
neat
scene where Cap traps the toy army in a room and smashes out at them,
even as
other soldiers and equipment, evading him, continue to grow. About half
the army is smashed in this way, but the rest escape at their full
size. A nearby army base helps clean up the rest, and General
Nikki, mastermind of the plot, falls to his death from atop a dam.
|

All-Select Comics #1 (Fall 1943): "The Case of the
Mystery of the Human Bats!" |
|
|
| The
Vulture (II) |
The
Batmen |
|
This Vulture is a Nazi scientist who developed a serum
which
not only makes men stronger but enables them to fly, though they need
artificial wings to steer. He created a team of Batmen, which he
controls because the serum must be renewed every 12 hours or the taker
dies. He uses them to kidnap important officials. Cap is taken to
the mountaintop eyrie of the Vulture. Apparently the deadly withdrawal
effects of the serum only manifest after repeated usage, because Cap
and the hostages take the serum themselves to be able to fly down from
the mountain, leaving the rest to die from withdrawal.
|

All-Winners
Comics
#10 (Fall 1943): "Kioto, the Mad Jap" |
|
Kioto is put in charge of the Japanese base on a
Pacific island, but his
cruel methods have soured the natives, who approach Cap to free them
from his rule.
There's not much "mad" about Kioto, other than his cruelty. But that
includes capturing
Allied soldiers, killing them, and parachuting them back behind Allied
lines as a taunt, so maybe that was enough for the audience. |

Young
Allies Comics
#9 (Fall 1943): "The Bloody
Henchman" |
|
|
| Young
Allies Comics
#9 (Fall 1943): "Toward the Land of
the Condemned" |
|
|

Kid
Komics #3 (Fall 1943): "Caught in the Tune of Death" |
|
|

Captain
America Comics
#31 (October 1943): "The Terror
of the Green
Mist" |
|
Humanoid
plants are parachuted into American croplands, where they are shot by
soldiers. But puncturing them releases a green mist which
turns
the nearby land into slime. Cap and Bucky follow the trail to
Germany, where the transformed madman called Fungi is made to turn his
own laboratory into slime.
Fungi
is pretty creepy. Timely is definitely in the sensationalistic "weird
horror" camp, compared to more staid DC, who had a bunch of children's
licensees to keep in mind (e.g., the popular Superman radio show). |
| Captain
America Comics
#31 (October 1943): "The Canal
of Lurking Death" |
|
Hunting a hidden submarine base, Cap and Bucky force a
U-boat
commander to take them there. An underground tunnel on the
Holland coast leads to the base, where fake hay barges and windmills
disguise its true purpose. Cap plants explosives on the subs in the
base, then returns to England to fetch RAF bombers. When they
see
the subs go up, they are able to pinpoint the base and finish the job
with their bombs.
Other than Cap's swimming from Holland to England, there isn't much he
does here a spy character couldn't have done.
|
| Captain
America Comics
#31 (October 1943): "The
Coughing Killer" |
|
While
doctors waste their time looking for a bacterial agent, spread when the
Cougher coughs, the real weapon is the poison dart he fires from his
blowgun
cough-drops. |

Captain
America Comics
#32 (November 1943): "The Menace
of the Murderous
Mole-Man" |
|
In London, Cap puzzles over the accuracy of Nazi
bombers
recently: along with their other targets, they always manage to hit a
couple of air raid shelters. He finds the underground warren
of
The Mole, who plants bombs under the shelters so that the deaths will
be blamed on the planes.
|
| Captain
America Comics
#32 (November 1943): "Ali Baba
and His Forty
Nazis" |
|
A modern-day Ali Baba uses the trappings of the old
story to sabotage Allied efforts in Baghdad. |
| Captain
America Comics
#32 (November 1943): "The Talons
of the Vulture" |
|
|
|
| The
Vulture (III) |
Joan
|
Jacques
|
|
This third Vulture is a Nazi officer, a prison
commandant,
who
delights in striking at the guerrillas of the French resistance who try
to stop the slave trains bound for his camp. Cap joins the
guerrillas and finds they are led by a woman, Joan, whose brother,
Jacques, is a prisoner in the camp. He is then captured and
realizes Jacques is passing information about the guerrillas to The
Vulture. Engineering a breakout, he proves his case to Joan,
who
shoots her traitorous brother.
Rather a nice little story, if a tad obvious to modern eyes. Cap and
Joan are fond of each other, so that the Cap/Peggy Carter relationship
alluded to in the 1960s seems to have been inspired by this one.
|

Captain
America Comics
#33 (December 1943): "Mother
Wong" |
|
|
|
| Mother
Wong |
Giant Servant
|
Japanese
liaison
|
|
Mother Wong, secret gang leader whose name is
whispered in
dread across China, is really spying for the Allies to free her
country from the Japanese occupiers. Cap and Bucky first fight, then
aid, her.
|
| Captain
America Comics
#33 (December 1943): "The Master
of the Killer
Mongoose!" |
|
|
The
Master
|
Lt.
Betty Ross
|
|
Stationed in North Africa, Steve and Bucky save Betty Ross,
now a WAC, from attackers. Later, she and the other WACs are kidnapped
by hirelings of the Master, a Nazi spy who punishes failure by having
his pet mongoose rip out one's throat. They are to be smuggled into
Tunis and pumped for info, but Cap kills the mongoose and sets them
free, and the WACs capture the spy ring.
|
| Captain
America Comics
#33 (December 1943): "The Symbol
of Doom" |
|
A cloaked figure the newspapers call "the Symbol of Doom" is
seen at every recent disaster affecting the army. When the Symbol tries
to destroy the troop train Steve and Bucky are on, they investigate in
costume. In a copper mine, they find a Japanese suicide squad whose
cloaks hide the explosives they carry, and Cap gets them to destroy
themselves.
|

All-Select
Comics
#2 (Winter 1943): "Saboteurs in White" |
|
| Doctor
Red Skull |
|
The Red Skull's saboteurs have destroyed 4 factories.
They
break in variously, but no one ever sees them leave. That's
because they're disguised as medical personnel and leave with the
ambulances, having taken over a private
hospital.
|

All-Winners
Comics
#11 (Winter 1943): "The Case of the
Yellow Fire
Monster" |
|
Nogatami, famous Japanese chemist, impersonates Ching
Toy,
who is the priest of a Chinese fire god of the same name. Nogatami has
expanded
the worship of the fire god to heroin addicts and sent them out to burn
selected targets. When Cap appears and breaks up the temple, Nogatami
raises terror in the streets himself with various fire
weapons.
But when he tries to flee from Cap by climbing a bridge cable, one of
his own flames melts the cable, and he falls to his death.
|

Young
Allies Comics
#10 (Winter 1943): "The Horror of
the Doll-Devil" |
|
|
| Young
Allies Comics
#10 (Winter 1943): "The Coils of
the Python" |
|
|

Captain
America Comics
#34 (January 1944): "The Cult of
the Assassins" |
|
A fainting princess at a diplomatic reception in India
allows
Dacoits to attack a viceroy. Cap suspects a plot and learns the
princess is worshipped by the Dacoits as Kali, Daughter of Kali, leader
of a cult of assassins. Kali, who is actually Japanese, falls in love
with Cap and kills herself when he ruins her plans.
By the way, in real-life, the Kali-worshipping assassins were actually
the Thuggee or Phansigars (different names in different parts of
India). "Dacoit" merely means "bandit".
|
| Captain
America Comics #34
(January 1944): "The Stage
of Death" |
|
Rosso, the deformed dwarf, haunts the Central Opera
House,
killing performers. He is a former tenor who was accused of
stealing funds, then thought killed by a train accident. But
he
survived and now steals beautiful things while avenging himself on his
former friends.
A more direct swipe from Phantom
of
the Opera than most such stories,
this one fails to make clear whether Rosso was guilty of the original
thefts or not. Many "Phantom" stories portray the villain as either a
wronged avenger or a jealous monster. No one seems to have bothered
much in this case.
|
| Captain
America Comics
#34 (January 1944): "Invasion
Mission!" |
|
The Allies plan an invasion on the Balkan coast. Cap and
Bucky are sent in ahead to clear the way. They save a beautiful Italian
spy and sabotage Nazi gun emplacements, allowing the invasion fleet to
land.
|

USA Comics #11 (January 1944): title unknown
|
|
|

Captain
America Comics
#35 (February 1944): "The
Gargoyle Strikes" |
|
|
| Count
Georges Tarragh |
The
Gargoyle |
|
Why
does the charming and accomplished Count Tarragh wear a golden mask?
No one knows that it covers a beast-like face. As The
Gargoyle,
he chooses to aid Hitler's cause until he can prove his superiority
over the Nazis, as well. Cap stops him from stealing an unnamed "war
invention" from a scientist in the Florida Everglades.
|
| Captain
America Comics
#35 (February 1944): "The Steel
Mask" |
|
|
| The
Man in the Steel Mask |
The
Bronze Idol |
|
An
old Mayan temple in the American southwest holds an ancient secret. The
Man in the Steel Mask claims to be a centuries-old Mayan priest, and he
uses the robotic bronze idol of the temple to stir up nearby Mexicans
against the U.S., but he's really a Nazi agent.
|
| Captain
America Comics
#35 (February 1944): "The Case
of the Horror
Money" |
|
|
| Peter
Stromboli | Mr. Walker
|
|
Is
it really counterfeit money if it's printed with government plates on
government paper? Yes, if the printer is greedy Peter Stromboli rather
than the U.S. Mint office he manages. One thing's for sure: it's not
"horror money". He uses the Walker identity to spread the cash.
|

Captain
America Comics
#36 (March 1944): "The Blood of
Dr. Necrosis" |
|
Australian forces fighting in Burma suffer an appalling
increase of gangrene cases among their wounded. Cap traces
the
problem to the blood supply, which is being used by the infected Dr.
Necrosis in an attempt to cure his own gangrenous condition.
|
| Captain
America Comics
#36 (March 1944): "The Strange
Mystery of the
Leopard Woman" |
|
Not much mystery to it: Countess Kyra and her pet
leopards
kidnap the New York City Water Commissioner as part of a Nazi plot to
poison the city reservoir.
|
| Captain
America Comics
#36 (March 1944): "The General
of Death" |
|
While the Allies plan an invasion of France, Gen. Von
Savage
leads a Nazi counterinvasion plot: a tunnel under the English Channel
to strike at England.
|

All-Select
Comics
#3 (Spring 1944): "The Keeper of the
Monsters" |
|
Prince Suli robs a museum of jewels, then becomes a
vagrant,
intending to get arrested and let one set of police hide him
from another. In addition to this, he has two trained
gorillas as
aides.
On first reading this story, I thought Suli was calling one of the apes
"Tatu". On re-reading it, it may be that "Tatu" is a
command. It's only said once, so it can be read either
way.
I prefer to name the ape.
|

All-Winners
Comics
#12 (Spring 1944): "The Four Trials
of Justice" |
|
| The
Red Skull |
|
Taking its cue from President Roosevelt's "Four
Freedoms"
speech, the story has the Red Skull trying to "Nazify" residents at the
Lakehurst Resort, and Cap bringing them each of the freedoms: from
want, from fear, of religion, and of speech.
|

USA Comics #12 (Spring 1944): "The Toll of Death" |
|
|

Young
Allies Comics
#11 (Spring 1944): "The Spawn of
Death" |
|
The Young Allies sneak aboard a ship and are captured
by a
Nazi sub. They are taken to a prison camp and spend four chapters
fighting their way back to England. No main villain here, just a lot of
Nazi soldiers.
|
| Young
Allies Comics
#11 (Spring 1944): "Osaki, the
Murderous Jap" |
|
A bomber flying the Young Allies to the West Coast for
a
special bond rally is captured by Capt. Osaki, who plans to bomb
American sites with their own plane. The Young Allies escape
from
being tied to the bombs and drop them, and Osaki, on a Japanese
aircraft carrier.
|

Kid
Komics #4 (Spring 1944): "The Scourge of the Jap" |
|
|

Young
Allies Comics
#12 (Spring 1944): "The Terror of
the Jap Head" |
|
This is just bizarre. There's a fat Japanese
head atop
a
little rocket ship, zipping around decapitating military leaders.
And look at Whitewash on the cover, being heroic and not a
hostage! No
such
luck for Jeff or Tubby, though.
|
| Young
Allies Comics
#12 (Spring 1944): "The Spiked
Chariot of Destruction" |
|
The
Mad Mechanic is a Nazi inventor. From a base in Switzerland, he sends
machines of all sizes, from exploding wrist watches to robots to giant
juggernaut vehicles, out to wreck Allied plans.
|

Captain
America Comics
#37 (April 1944): "The Chambers
of Dr. Agony" |
|
Cap and Bucky find a missing offical in the torture
chamber
of Dr. Agony, a Nazi scientist trying to increase human resistance to
pain, so as to make unstoppable soldiers. Dr. Agony dies fighting a
panther he has already taught to ignore pain, so it does not feel the
blows of his knife as it slashes him.
|
| Captain
America Comics
#37 (April 1944): "The Seven
Sons of Satan" |
|
Three times, Cap sees an assassin calling himself the
Son of
Satan die, and three times Cap meets him again. It turns out there were
seven identical sons of a Japanese Satanist (it says here), all out to
smash the Allied drive into Burma.
|
| Captain
America Comics
#37 (April 1944): "Frozen Death" |
|
| The
Red Skull |
|
In the midst of a frozen land, the Red Skull rules a
jungle,
where he's building a ray to turn the Allied weapons into dust.
Otto Binder, who could do better, must have written this one in a
hurry. No explanation for the
jungle
is given. (I know, all you comics geeks are thinking it's Ka-Zar's
"Savage Land".) The story can't even decide if the frozen land is
the
Arctic or the Antarctic: reference is made to the Antarctic jungle and
Aurora Australis, but there's also an Eskimo girl and references to
Arctic wastes.
|

Captain
America Comics
#38 (May 1944): "Castle of Doom" |
|
|
Honorable
One
|
Death
Valley
Pete |
|
Death Valley Pete has a secret gold mine, and he's used
the
money to build a castle in the middle of the desert. Japanese agents
take it over and systematically rob air bases on the West Coast of
fighter plane parts and ammo, using them to build their own planes
which will be used to attack the US from the inside. Cap and
Bucky investigate and free Pete, who has built the castle over the mine
itself -- a perfect place to set a bomb to wreck the whole plot.
The story's central idea is taken from the real-life Death Valley
Scotty, who
also had a castle and a supposed gold mine.
The Japanese leader is unnamed but dressed in ceremonial robes, so
using the honorific as his name seemed appropriate.
|
| Captain
America Comics
#38 (May 1944): "Frozen Death" |
|
|
| The
Cellmen |
Japanese
scientist
|
|
In the Arctic, Cap and Bucky find a land of tropical warmth
under an
ice cap. A stranded Japanese scientist has used the
primordial
conditions to develop mindless humanoids which regenerate from their
pieces into complete copies of the original. So how does Cap
stop
a menace which can't be cut or blown apart?
Two stories with the same title, and a jungle amidst a polar waste, one
issue apart? Did two writers talk variations on an idea at lunch?
And why didn't the editor put a little distance between the stories?
|
| Captain
America Comics
#38 (May 1944): "The Peril of
the Past" |
|
|
|
|
|
| Dr.
Emil Natas |
Phao
Na- Tash
|
Hercules
|
Diablo
Natas
|
Sir
Amerigo
|
|
With Cap and Bucky as his prisoner, the sneering Dr.
Natas
tells Cap that they've met before, in past lives, and are destined to
do so again. His recounting of defeats in past lives gives
Cap
the chance to beat him in this life. "Holy cow!" Bucky finally
realizes, "His name, spelled backwards ...!" Is this truly
the
end
of Dr. Natas?
I guess so, at least in this life, as he never returned.
|

Captain
America Comics
#39 (June 1944): "Terror of the
Ghost Harpoon" |
|
Steve and Bucky's leave in Nantucket is interrupted.
Beautiful Molly wants to get her late father's whaling ship, the
"Moby Dick", profitable again, but the crew is spooked by
threats
and harpoons appearing from nowhere. It's a plot by Mate
Silas,
aided by a mad old harpooner, to steal the ship from her.
|
| Captain
America Comics
#39 (June 1944): "Riders of
Death" |
|
Motocycle-riding Japanese agents try to burn down the
factory
town which sprang up around the Crawford Bomber Plant.
|
| Captain
America Comics
#39 (June 1944): "Rockets of
Doom" |
|
Scientist Von Brummel is frustrated by his inability to
develop a rocket bomb which will cross the Atlantic, allowing Germany
to bomb the US from afar. Then how is it German missiles are actually
doing so much damage in New York?
|

All-Select
Comics
#4 (Summer 1944): "Mystery of
Hangmen's Island" |
|
Von Wolheim's invention jams French patriot Jules
Derrain's
daily broadcasts to his countrymen. Then Derrain is kidnapped and taken
to spooky Hangmen's Island, where the Nazi base is in a fake haunted
house.
|

USA Comics #13 (Summer 1944): "The Curse of Frankenstein" |
|
|
|
Frankenstein
Monster
|
Herr
Rotzz
|
Anna
Frankenstein
|
|
A note from Anna Frankenstein brings Cap and Bucky to
the
famed Castle Frankenstein. Someone has resurrected the Frankenstein
Monster. Herr Rotzz, the blind butler, is the obvious suspect, but Cap
soon learns that Rotzz was working with Anna herself to try to make the
monster into a Nazi weapon. So why'd she call for Cap in the
first
place? As a red herring, knowing he'd come anyway once he'd heard about
the monster. Okay...
|

Young
Allies Comics
#13 (Summer 1944): "Coffins for
Sale" |
|
|
| Young
Allies Comics
#13 (Summer 1944): "The Land of
Death |
|
|

Kid
Komics #5 (Summer 1944): "The Mad Fiend of Horror Castle" |
|
|

Captain
America Comics
#40 (July 1944): "The Jester of
Death!" |
|
A colonel treats Steve and Bucky to a society party at Mr.
Bryce's famous "House of Pranks". Bryce, as a Jester, invites everyone
for a drink at the Arsenic Bar before moving on to another part of the
house. But the one man who did drink dies of poison, and another man is
broken on a torture wheel before the Jester disappears into the house.
Cap and Bucky find the real Bryce a prisoner and unmask the Jester as
someone who, having been the childhood victim of an horrific prank by
those invited to the party, has decided on a killing revenge. But the
Jester tricks himself and plunges down an open elevator shaft.
|
| Captain
America Comics
#40 (July 1944): "Auction of
Death" |
|
When a meteorite crashes on an island, an assistant
lighthouse
keeper discovers that it can focus sunlight into a destructive beam and
fashions part of it into a prism. As the Keeper of the Flash, he
demonstrates its power, then invites anyone to bid on it. At the
auction, Axis agents feud among themselves, killing the Keeper and
allowing an American general to use the Flash to destroy the rest of
the meteorite, as the Allies only wanted to keep such a ghastly weapon
from the Axis. Cap and Bucky are in here, but they do nothing to
move the plot along.
|
| Captain
America Comics
#40 (July 1944): "Captain America in the Mystery of
the Floating
City" |
|
|
|
| Lyander | Nazi leader
|
sea monster
|
|
Ten bombers have vanished crossing the
Atlantic. Cap and Bucky find they've been shot down by the
inhabitants of a
floating city, built centuries ago by explorers who failed to cross to
North America. Nazis have taken over, and Cap allies himself
with
a rebel, Lyander. Even a sea monster tamed by the Nazi leader
can't stop them, and the Nazi kills himself in failure, while the
floating city moves on to a more secluded location.
|

Captain
America Comics
#41 (August 1944): "The Killer
Beasts of Notre
Dame" |
|
|
| The
Gargoyles |
Nazi
Governor
General |
|
Hmm... Why have the gargoyles of Notre Dame seemingly
come to
life to attack the Parisians? Is it because they are defying
their rulers, as the Nazi Governor General claims? Or is it because he
has taken homicidal madmen from the asylums, dressed them as gargoyles
from Notre Dame, and let them loose on the populace? Hmm...
|
| Captain
America Comics
#41 (August 1944): "The Murder
Brain" |
|
Gangster "Tiger" Duncan's will reaches from beyond the
grave.
After Duncan is electrocuted, his still-living brain commands the
prison doctor to remove it and keep it alive, then slowly turns the
doctor into a simulacrum of himself. A bit more pulpy than the usual Donovan's Brain
copy, and more
enjoyable for it.
|
| Captain
America Comics
#41 (August 1944): "The School
of Horror" |
|
The Schoolmaster is an expert in the art of murder, and
he is
using the deserted Graystone Building to teach his methods to
criminals. He is really the former co-owner of the building
who,
surviving an attempt to kill him, developed a hate for not only his
former partner but all mankind.
|

All-Winners
Comics
#13 (Fall 1944): "Gardens of Doom" |
|
Separated from their unit during maneuvers, Steve and Bucky
find the gardens of Dr. Botan, who makes plant-human hybrids, such as
Number 12, a former blacksmith crossed with an Amazonian
plant.
In escaping, they set fire to Botan's lab, and he and his
experiments, including the surrounding gardens, die.
|

Amazing Comics #1
(Fall 1944):
"Horror of the Murdering Magician" |
|
The Young Allies
sneak aboard
a troop ship bound for India. In India, they fight off a raid by Tehru,
a local magician, and his men, then follow him to a Japanese base.
Tehru plans to use his illusions to aid the Japanese, but the Young
Allies turn the tables on him. Fleeing, Tehru falls into a tiger trap
and is killed.
|

USA Comics #14 (Fall 1944): "Riddle of the Stolen
Buddha" |
|
|

Young
Allies Comics
#14 (Fall 1944): "The Green Death" |
|
|
| Young
Allies Comics
#14 (Fall 1944): "The Monster of
the Maniac Murders" |
|
|

Kid
Komics #6 (Fall 1944): "Sinister Jap Secret Weapon" |
|
|

Captain
America Comics
#42 (October 1944): "Tojo's
Terror Masters" |
|
The Chinese freedom fighters report that all Japanese troops
are being withdrawn to some new location in the south. Cap and Bucky
investigate and discover Gen Yokima's invasion plan: a rail tunnel
under the Pacific to America. With the trains on their way, Cap flies
ahead to an island way-station and packs the tunnel with TNT.
|
| Captain
America Comics
#42 (October 1944): "Waters of
Death!" |
|
Millionaire J. T. Fleming has survived recent attempts on his
life, but Cap is concerned -- and with good reason: Fleming dies
mysteriously in his swimming pool. From hiding, Cap watches
someone remove a poisonous jellyfish from the pool and tracks him to a
marine laboratory. The unnamed ichthyologist wanted revenge because
Fleming refused to back an expedition of his. He, too, dies -- in the
arms of an octopus.
|
| Captain
America Comics
#42 (October 1944): "The Baron
of Horror Castle" |
|
On overseas assignment, Steve and Bucky act as guards when
their commander is invited to dinner at nearby Horror Castle. The Baron
drugs his guests and plans to take them to Germany. Cap is captured and
thrown into the moat with man-eating "paraya" fish, but escapes. When
the Baron tries to hurl a cannonball at Cap, the weight overbalances
him and he falls over the parapet to his death.
|

Captain
America Comics
#43 (December 1944): "Captain America in the Shadows of Death!" |
|
In the town of Meadow Brook, people see shadows of
murders,
but no bodies are ever found. Old John Shaffer makes weird paintings
with shadows – could some monster from one of his paintings have come
to life? No, but his nephew is trying to make people think
so,
because he knows there's a valuable ore on his uncle's estate, and he
wants to inherit it.
|
| Captain
America Comics
#43 (December 1944): "The Death
That Came from Nowhere!" |
|
Baron Hitso's new shells strike targets with astounding
accuracy. That's because they have kamikaze pilots.
|
| Captain
America Comics
#43 (December 1944): "The Sea
Dragon!" |
|
A giant sea dragon is sinking Allied ships. It's
mechanical.
They did this better in issue #5.
|

All-Select
Comics
#5 (Winter 1944): "The Bamboo Knife
Butcher" |
|
The Mallon family have international mining interests,
and
young Paul Mallon vanished while inspecting one in "the jungle". A
shrunken head is sent to his mother, but how did savages know her
address? Cap suspects Paul's uncle, Mr. Smallen, is involved, and he is
– his own time among the headhunters has caused him to follow
headhunter practices, and he's preparing to sacrifice Paul.
|

All-Winners
Comics
#14 (Winter 1944): "Monstro the Mad
Jap" |
|
Monstro
loves jigsaw puzzles, so he uses them to steal
designs from war factories. He gives the workers puzzles to
do on
their lunch hours, and the workers often as not do the puzzles on
whatever surfaces are available, including tables holding designs.
Monstro then collects the puzzles, as their other sides have copied the
designs on which they rested. Cap gets wise, then gets captured, and
Monstro builds a puzzle which will electrocute Cap when it's completed.
But he misses a piece, Cap escapes, and Monstro gets electrocuted.
|

Captain
America Comics
#44 (January 1945): "The Prophet
of Hate" |
|
The Prophet of Hate, fanatical swordsman of India, has
risen
from his grave to drive out the European forces of the Allies. With the
dubious aid of Sgt. Duffy, out to prove to his girlfriend that he can
as big a hero as Captain America, Cap and Bucky unmask the Prophet as a
Japanese spy.
|
| Captain
America Comics
#44 (January 1945): "The
Graveyard of Ships" |
|
|
The
Octopus Creatures
|
Boss
|
|
The lone survivor of a lost cargo ship tells a
fantastic
tale: his ship was caught in a miles-long mass of seaweed and sunk by
weird octopus creatures. Cap finds Betty Ross also
investigating
the story and reveals a plot by the shipping company's boss to defraud
his insurance company.
|
| Captain
America Comics
#44 (January 1945): "Midnight
Means Murder" |
|
Master terrorist Black Hand can send explosive
radiation into
any time-piece, so that when its two hands touch, it explodes with
great force. Okay...
|

Captain
America Comics
#45 (March 1945): "Dynamos of
Death" |
|
|
| The
Superintendant |
The
Skeletons of Glowing Death
|
|
Crooks cause blackouts, then rob amidst the panic
dressed in
phosphorescent skeleton costumes.
|
| Captain
America Comics
#45 (March 1945): "The Thing in
the Swamp!" |
|
|
| Major
Von Kaulen |
Hans
the Monster |
|
Major
Von Kaulen, trying to bomb a factory, is shot down over nearby
Keecheebee Swamp. Something in the water turns his aide,
Hans,
into a monster whom he can control, so he tries to use Hans to wreck
the factory.
|
| Captain
America Comics
#45 (March 1945): "The Human
Beast!" |
|
A murderous female thief is also an accomplished
acrobat. Not
much here. She dies fleeing from Cap.
|

All-Select
Comics
#6 (March 1945): "Yellow Claw and the
Mole Men" |
|
|
| Yellow
Claw (II) |
The
Mole Men |
|
Japanese agent Yellow Claw has a formula to turn men
into
human moles, suitable for tunnelling under defense plants and
collapsing them or sneaking underground to kidnap officials. But his
master plan is to create a new volcano under a major American city.
|

All-Select
Comics
#7 (Spring 1945): "The Masters of
Evil" |
|
|
|
|
|
|
|
|
| "Terrible
Tom" Garrett |
Terdu |
Captain
Kidd |
Jesse
James |
Frank
James |
Jack
the Ripper |
Bluebeard |
Gyp-the-Blood |
|
Gangster Garrett, escaping from Cap, meets Terdu, a
sorcerer.
"I glory in evil," Terdu says, and resurrects criminals of the past to
show Garrett that Cap can be beaten. But Cap beats these
revenants, too. Terdu dies in his own cauldron, and Garrett just wants
to go to a nice quiet jail.
|

All-Winners
Comics
#15 (Spring 1945): "The Masked Trio
of Death" |
|
Where did Lupo obtain his new gang?
|

USA Comics #15 (Spring 1945): "The Doom of Metal" |
|
|

Young
Allies Comics
#15 (Spring 1945): "River of Fire" |
|
|
| Young
Allies Comics
#15 (Spring 1945): "The Witch
Doctor's Curse" |
|
|

Kid
Komics #7 (Spring 1945): "The Mystery of the Sinister
Black Bag" |
|
|

Captain
America Comics
#46 (April 1945): "Invitation to
Murder" |
|
The peculiar will of Mr. Matison divides his estate
evenly
among his wife, his brother, and his cousin, but if any of them die,
that person's portion is given to the others. "Why, that's an
invitation to murder!" claims someone, and so it is. Mrs.
Matison
goes first, and the other two heirs accuse each other, but it's a plot
between Mrs. M and the lawyer to get the heirs killing each other,
after which she'd turn up alive.
|
| Captain
America Comics
#46 (April 1945): "The Shadow of
the Monster" |
|
Has Captain America turned to crime? No, it's Butch
Cantwell
in a Cap suit. Cap pleads with authorities, based on his past
career, to trust him to bring in this impostor.
|
| Captain
America Comics
#46 (April 1945): "The Mystery
of the Puff-Adder
Skulls" |
|
Two Wall Street financiers have died from sudden heart
attacks, and Cap is a witness to a third death – and the puff-adder
skull found on the victim. Preventing a fourth death, Cap finds an
otherwise nameless Master who uses the deadly snakes in a variety of
ways.
|

Captain
America Comics
#47 (June 1945): "The Crime
Dictator" |
|
Using the twin weapons of Crime and Violent Death,
Crimorto
lures Cap into a trap.
Crimorto's powers (throws lightning, raises mists) are granted by his
shroud-cape, but no fancy gadget is shown to be behind them. However,
neither is a supernatural angle (e.g., puzzled Cap wondering how he
does it) played up. Crimorto just has these powers, and
everyone
accepts it as natural. Rather odd for the otherwise highly
rationalized, if fantastic, Cap comics.
|
| Captain
America Comics
#47 (June 1945): "The Monster of
the Morgue" |
|
What is the connection between the ships mysteriously
blowing
up in the harbor and the sudden interest Prof. Todt's new
undertaking parlor has in the unclaimed bodies from the city
morgue?
Could it be that he's stuffing them full of explosives and using them
for mines? Yes. Ew.
|

All-Select
Comics
#8 (Summer 1945): "The China Wall
Mystery" |
|
Stationed in China, Steve and Bucky are patrolling the
Great
Wall and choose to investigate a noise as Cap and Bucky. They
are
approached by Lao-Chung, who shows them secret tunnels under the wall,
now being used by Japanese General Sneeki for an invasion of China.
With Lao-Chung's help, Cap smashes the invasion force and collapses the
tunnels. He then learns that one of the builders of the Great
Wall, centuries ago, was one Lao-Chung.
|

All-Winners
Comics
#16 (Summer 1945): "The Mystery of
the Floating
City" |
|
This is a reprint from Captain
America Comics
#40. You might wonder about the need for reprints (which are typically
last-minute fill-ins) on a quarterly
book, but recall that Germany surrendered in May, 1945, probably just
when this issue was being laid out. I'm guessing there was some story
which no longer worked post-surrender, and no time to reletter it to be
a tale from before the surrender, so a reprint was needed.
For some reason, Timely chose to reprint this story. Don't
know if it was a
favorite or simply close to hand at the
time, but a Human Torch story also from that issue was also reprinted
in this same issue, so I suspect the latter. The reason the Nazis
captured the floating city was to use it as a refuge for fleeing Axis
leaders, so it may have been judged to be semi-appropriate for the time.
|

USA Comics #16 (Summer 1945): "The Riddle of the Totem Pole!" |
|
Men
are dying without a sign of cause, and next to each is a miniature
totem pole. Cap traces the totem pole to a tribe in the Pacific
Northwest and is captured. The Chief reveals the victims were all
descendants of people who bought the tribe's original land, which
the Chief considers to have been a swindle. The men were told
ahead of time of the tribe's vengeance, then died of sheer fear when
each received a miniature totem. Cap and Bucky are placed atop the
100-foot-high "sacred totem", which is set afire. But they find
the totem is hollow, climb down the inside, and escape. The
burning totem collapses on the remnants of the tribe.
|

Young
Allies Comics
#16 (Summer 1945): "The Mad Prince
Shinto and His
Suicide Battalion" |
|
|
| Young
Allies Comics
#16 (Summer 1945): "Mystery of the
Sacks of Death" |
|
|

Kid
Komics #8 (Summer 1945): "Dragons of Death" |
|
|

Captain
America Comics
#48 (July 1945): "The Mark of the
Satyre" |
|
Sudden death in a rural Pennsylvania town. Cloven
hoofprints
found on the victims. And in a secluded mansion which was once a wax
museum, a frightening statue mysteriously vanishes and reappears...
Can a super-patriotic hero remain popular after war
frenzy has died down? I think it helped that Cap fought weird menaces
from the start, so someone like The Satyre provided that bit of
sensationalism the comic needed.
|
| Captain
America Comics #48
(July 1945): "The Corpse
That Wasn't There" |
|
Cap finds Mildred Carson dying of poison and rushes her
to a
hospital, but her body is stolen from the cab they used. Cap must
figure out why.
|
| Captain
America Comics
#48 (July 1945): "Colosso and
His Murder Marionettes" |
|
You've seen this before: crimes are committed in every
town
which Colosso's marionette show visits, but he's always giving a show
when they happen. The marionettes are midgets.
|

Captain
America Comics
#49 (August 1945): "The League
of Hate" |
|
Veterans returning to small towns are stirring up
prejudice
against foreigners. Cap uncovers a Nazi plot to replace American
soldiers without living families with Nazi agents. A rather
good
anti-prejudice story until the final page, where a flashback reveals
Hitler telling these agents to work for "a soft peace", that is, a
post-war agreement where Allied vengeance is not meted out against
German soldiers. So the story suddenly veers from a message of
brotherhood to one of Deserved Vengeance on Our Enemies! Grr!
|
| Captain
America Comics
#49 (August 1945): "Symphony of
Death" |
|
|
| Diavolo |
Organ
Grinder Mug
|
|
Diavolo's gang has an organ grinder with a concealed
gun
shoot bank messengers and the like, while other gang members grab what
they carry.
|
| Captain
America Comics
#49 (August 1945): "Murder by
Proxy" |
|
The splash page promises "Awhole community terrorized
by a
corrupt political machine directed by an unknown political genius", but
we get a simple story where a captured crook is left unguarded in a
hospital so he can be rubbed out before he talks. And the unknown
political genius is the District Attorney who convinces the police
their usual precautions are unnecessary. Oh, for the days of drooling
Axis agents and impossible high-tech weaponry...
|

All-Select
Comics
#9 (Summer 1945): "The Tick-Tack-Toe
Murder!" |
|
Cap stops crooks attacking a junkman collecting
newspaper. One bundle of the papers the crooks wanted is
covered
in games of tic-tac-toe. Bucky recognizes a kids' code in the
diagrams, directing them to a house where "Knucks" Connors is holding a
millionaire for ransom.
|

USA Comics #17 (Fall 1945): "The Bloodthirsty Baron" |
|
The
Evil Knight tries to rob a ship containing art treasures being returned
to
Europe. When his sword cuts through a steel ladder, Bucky wonders if
he's wielding Excalibur. But, he's actually Paul Bonaparte,
mechanical genius, whose sword produces the great heat of a welding
torch. Bonaparte owns Hagmoor Castle, where Cap and Bucky find
him and pursue him to a wrecking yard, where Cap shorts out the sword
and Bucky captures him with the electromagnetic crane.
Remember Hagmoor Castle from Captain America Comics #8? Here is the name again, but apparently unrelated to the previous castle.
|

Young
Allies Comics
#17 (Fall 1945): "Phantom of Amajo
Suki" |
|
|
| Young
Allies Comics
#17 (Fall 1945): "Massacre of the
Mannikins" |
|
|

Kid
Komics #9 (Fall 1945): "The Corpse Came F.O.B." |
|
The boys arrange to
work on a
farm for their vacation and encounter gangster Tony Lukas, trying to
bring his protection racket to the farm town.
|

Captain
America Comics
#50 (October 1945): "The Walking
Dead" |
|
Cool cover: hooded cultists and an ape in a bell tower.
Too
bad nothing like that happens in any story in this issue, but this one
is the closest.
After he died, John Foster was secretly buried with the deadly poison
rain formula he'd developed. Now corpses in Lawnmere Cemetary are
rising from their graves. Actually, they're Japanese spies in
disguise, searching for Foster's grave and the formula.
|
| Captain
America Comics
#50 (October 1945): "The Mystery
of the Eyes
of Death" |
|
Genrami the mirror vendor coats his mirrors with a
special
backing which produces an intense glare that affects the viewer
twenty-four hours later. He shows them to Allied soldiers in India, and
the soldiers go blind the next day in the midst of battle.
|
| Captain
America Comics
#50 (October 1945): "The Leopard
and His Killer
Mob" |
|
The Leopard got his name when an attempt to escape from
prison exposed him to high voltage, which caused spots to appear on his
skin. Now he's paid his debt to society, but he wants society to pay
for what happened to him, so he goes on a rampage with a deadly
electirc beam gun he invented in prison.
|

Captain
America Comics
#51 (December 1945): "Mystery of
the Atomic
Boomerang" |
|
Prof. Rudo has invented an "atom-water" for Japan: left
in
the sun to evaporate, it suddenly explodes with terrific
force.
He lures Allied soldiers into an area where he's spread it, waits for
the sun to come out, and ... boom! But Cap manages to turn the tables
on him, and he dies in one of his own explosions – the "boomerang" of
the title. (Yeah, I thought so, too.)
|
| Captain
America Comics
#51 (December 1945): "Fraternity
of Fat Fellows" |
|
The Chameleon has been reading Sherlock Holmes stories.
Remember "The League of Red-Headed Men"? Almost the same plot, except
the dupe is a portly mortician rather than a redheaded pawnbroker.
|
| Captain
America Comics
#51 (December 1945): "The Case
of the Blonde
Bombshell" |
|
|
| Captain
Catti |
Fluffy
Flair
|
|
Pin-up Fluffy Flair came to the Pacific to entertain
the
troops, but Captain Catti plans to replace her with a look-alike who
will semaphore base information to a watching Japanese spy.
|

All-Winners
Comics
#17 (Winter 1945): untitled |
|
Dave Carreaux invites Steve and
Bucky to his
family's bayou
plantation for a vacation. The wedding of his elder brother is
threatened by the reappearance of a family legend, a brother-sister
Wizard and Witch who kill the eldest Carreaux in each generation.
Philip Carreaux is killed, but Cap shows the pair are a former lover of
the bride, out for revenge, and a hired girl. |

Young
Allies Comics
#18 (Winter 1945): "Eeney, Meeny,
Miny -- Murder" |
|
|
| Young
Allies Comics
#18 (Winter 1945): "The Mummy of
Death" |
|
Reports
of a killer mummy lead the Young Allies to the scene, where they find
the mummy itself. "I am Karr, courtier to Modebl the Demon!"
After driving the mummy away, they find a sphinx charm, which they take
to Egyptologist Dr. Lammon, who can tell them little. But a secret
compartment in the sphinx reveals a solution of concentrated opium, and
the mummy reverts to Dr. Lammon in death. The opium had made him
a "lycanthrope": at night, he would go mad and kill, but remembered
none of it by day.
If this sounds familiar, it's because it's a rewrite of the mummy story from CAC
#25. I suppose one could claim there were multiple Laughing Sphinxes
and two different people found them and thought they were Karr.
|