219 and 220 home page |
Selected
Bibliography for Theoretically Grounded 220 Inspirations:
| Brooks, Peter.
Reading for Plot. Essentials of the Theory of Fiction. Hoffman
and |
| |
Murphy,
eds. Durham: Duke UP, 1996. 326-347. |
| DuPlessis, Rachel
Blau. Breaking the Sentence; Breaking the Sequence. Essentials
|
| |
of
the Theory of Fiction. Hoffman and Murphy, eds. Durham: Duke UP,
1996. 372-391. |
| Frank, Joseph.
From Spatial Form in Modern Literature. Theory of the Novel: A
|
| |
Historical
Approach. Michael McKeon, ed. Baltimore: Johns Hopkins UP, 2000.784-802. |
| Freedman, William.
The Literary Motif. Essentials of the Theory of Fiction. Hoffman
|
| |
and
Murphy, eds. Durham: Duke UP, 1996. 200-212. |
| Genette, Gerard.
Time and Narrative in "A la recherche du temps perdu." Essentials
of |
| |
the
Theory of Fiction. Hoffman and Murphy, eds. Durham: Duke UP, 1996.
181-
199. |
| Harvey, David.
The Cartographic Imagination: Balzac in Paris. Cosmopolitan
|
| |
Geographies.
Vinay Dharwadker, ed. London: Routledge, 2001. 64-87. |
| Honeywell, J.
Arthur. Plot in the Modern Novel. Essentials of the Theory of Fiction.
|
| |
Hoffman
and Murphy, eds. Durham: Duke UP, 1996. 147-157. |
| Leaska, Mitchell
A. The Concept of Point of View. Essentials of the Theory of Fiction. |
| |
Hoffman
and Murphy, eds. Durham: Duke UP, 1996. 158-171. |
| Moretti, Franco.
From The Way of the World: The "Bildungsroman" in European
|
| |
Culture.Theory
of the Novel: A Historical Approach. Michael McKeon, ed. Baltimore:
Johns Hopkins UP, 2000. 554-565. |
| Rorty, Amelie
Oksenberg. Characters, Persons, Selves, Individuals. Theory of
the |
| |
Novel:A
Historical Approach. Michael McKeon, ed. Baltimore: Johns Hopkins
UP, 2000. 537-553. |
|
